Conceptual Fashion
Is Clothing Without Function Still Clothing
Is clothing without function still clothing? This question asks whether the essence of clothing lies in 'the function of protecting and comforting the body,' or in 'embodying expression, symbolism, and questions.' In extreme examples of conceptual fashion, unwearable, immobile, extremely heavy/light/transparent garments are made. Why are they still called 'clothing'? Does the lack of function cause clothing to lose its identity, or does it give birth to a new concept of clothing? It fundamentally re-examines the boundaries between utility and expression, body and concept.
The view that clothing's essence is 'wearable' and 'protecting the body,' and what lacks function is not clothing but an object or art. Practicality is the ground of identity.
The view that clothing's essence is 'what it expresses or questions,' and function is secondary or unnecessary. Lack of function itself enables pure expression.
The view that the boundary between 'clothing' and 'art' is not fixed but changes with times or context. Clothing without function is established as an attempt to expand the concept of fashion.
The view that lack of function conversely becomes an opportunity to re-examine the nature of the body. By clothing 'not protecting' the body, the body's vulnerability and possibilities emerge.
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Have you ever experienced clothing or a work where you wondered 'Is this clothing, or art?'
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When you saw clothing without function, what did you feel? Rejection or curiosity?
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Where do you think the premise 'clothing should be wearable' comes from?
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What do you think are the conditions for clothing without function to be recognized as 'clothing'?
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When clothing's function is lost, what do you think is lost and what is gained?
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Do you feel resistance to calling 'clothing without function' 'clothing'? Or does it feel natural?
This topic is a space for dialogue that treats clothing's 'function' not as a self-evident premise but as something to be re-examined. It aims to doubt the fixing of definitions and explore new relationships between body, expression, and concept.
- Function
- The practical role of clothing in protecting the body, providing comfort, and aiding movement. The center of the traditional definition of clothing.
- Non-functionality
- The state of intentionally lacking practical roles. A characteristic of conceptual fashion.
- Identity of Clothing
- The essential attribute of what is called 'clothing.' Function, expression, or corporeality.
- Clothing as Object
- Clothing that does not presuppose wearability, aimed at appreciation or exhibition. Approaches a work of art.
- Absence of Body
- The state where clothing is separated from the body and treated as an independent existence. Interlocks with lack of function.
- Primacy of Concept
- The position where clothing's value lies not in practicality but in ideas or questions. The ground for affirming lack of function.
Recall one garment or work where you wondered 'Is this clothing, or something else?' What made you feel that way at the time?
If you lived in a world where only 'clothing without function' existed, how would you define 'clothing'? What meaning do you think the act of 'wearing' would have in that world?
As you listen to the other person say 'This garment has no function so it's not clothing,' quietly imagine 'the meaning held by lack of function' or 'the history of the definition of clothing' while gently re-examining their premise.
- What happens when 'unwearable clothing' is exhibited in a museum?
- The mechanism by which lack of function conversely makes the 'essence' of clothing emerge
- The intention of designers who make 'clothing that is not clothing' and the reaction of receivers
- The relationship between the impossibility of 'wearing' clothing without function and imagination
- How the definition of 'clothing' has changed with the times
- How lack of function affects fashion's commerciality and consumer culture